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| Original Title: | The Names |
| ISBN: | 0679722955 (ISBN13: 9780679722953) |
| Edition Language: | English |
| Characters: | Kathryn, James Axton, Tap, Owen Brademas, Charles Maitland, Ann Maitland, George Rowser, Frank Volterra, Del Nearing |
| Setting: | Greece |
Don DeLillo
Paperback | Pages: 339 pages Rating: 3.64 | 3625 Users | 277 Reviews
Present Out Of Books The Names
| Title | : | The Names |
| Author | : | Don DeLillo |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 339 pages |
| Published | : | July 17th 1989 by Vintage (first published September 12th 1982) |
| Categories | : | Fiction. Novels. Literature |
Ilustration As Books The Names
Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" (Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works."The Names not only accurately reflects a portion of our contemporary world but, more importantly, an original world of its own is created."--Chicago Sun-Times
"DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--Village Voice Literary Supplement
"DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world, to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--New York Times
Rating Out Of Books The Names
Ratings: 3.64 From 3625 Users | 277 ReviewsAssessment Out Of Books The Names
Loved the beginning and middle but was left disappointed (and frankly a little confused) by the end. In my opinion infinitely better than "White Noise."Here is a caveat: I read poetry, novels, and short stories for both pleasure and work: to enjoy the writer's use of language and to learn how the writer did what he or she did, and to take away from the experience lessons for myself in my own work. As a writer, I give this novel 5 stars; as a reader, I give it 3 stars. As a writer I stand in awe of DeLillo's use of language. He is constantly surprising you with his quirky and inventive use of words and phrases. As a reader, be prepared to find
This is the first Delillo novel I've read that I think I've actually enjoyed. His obsessions with American history and American mythology can be so cornily portentous that a lot of the time it seems like the only thing he wants to convince you of is his how important his books are. But somehow this novel, which is set almost entirely in the eastern Mediterranean, in a world of early 1980's American expats idly wandering around pictaresque Greek islands and middle eastern desert ruins
A shaved head would do wonders for this group. Parts of The Names read like a tract of linguistic idealism. One of the characters, Owen Brademas, (who is obsessed with alphabets, the shape of words, and a cult that kills people based on their initials matching place names) posits that ancient structures were erected, tombs built, in order to have a place for the words. The river of language is God, he says, which is pretty close to Nietzsches Without grammar, God is not possible (or was it the
OVERWHELMINGLY BEAUTIFUL
Don DeLillo is a great writer. However, having spent years in the Middle East and Athens, I felt his grasp of place and Fowlesesque vagueness with more emphasis on words were disappointing in this instance. (Yet, his allusion to Al-Qaeda types lurking about was uncanny.)
Don DeLillo gets major points for style. Seriously, he's one of the all-time greatest American prose stylists; his knack for catching the rhythms of (educated, disaffected) speech is uncanny, as is his always-apt use of the interrogative-with-no-question-mark, which I've not seen effectively used in most writing but hear in speech every day. And he always picks good themes, if you want to call them that: technology, language, consumerism, intellectualism, violence, etc.So why is it that he so
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